Resolving this is simply a matter of pressing either the left or right inverter switches to flip one channel, and voilà! – the polarity is reversed and you’re in phase. If the information displayed on the meter (otherwise known as a goniometer) is lying horizontal, the stereo information is out of phase. The phase integrity of a stereo mix is easily determined by the clear, easy-to-view ‘jellyfish’ vector scope. The Stereo Tool also offers individual left and right polarity reversal that are sadly lacking on the outputs of many DAWs. The Flux Stereo Tool readout has a vector scope display, PPM meters for both inputs and outputs, and a phase correlation meter permanently monitoring the signal. So I was quite surprised when Flux’s new Stereo Tool plug-in (which is downloadable free from its website) turned out to be the best I’ve tried. Over the years, I’ve mostly been disappointed with the software variants on offer. Creating a sense of depth and dynamic without losing the central focus and bass strength is normally what you should look for in a ‘stereo widening’ software algorithm. There are many reasons why you may need extra width in your stereo sounds or two-channel mixes.
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